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  • 2022 | 1st Edition
    Stilleven - Fascículo 20
    Filipe Alves

    Still LifePaintingComposition

    "The term "still life" (used in Southern European countries) or "immovable nature" (a term derived from the Dutch "stilleven," also used in England and Germany) appears in Lippmann's images, following a visual culture inherited from painting. Additionally, the choice of this theme is also due to technical limitations related to the emulsion and sensitivity of glass plates at the time. In other words, the object being photographed needed to remain still for an extended period of time to achieve a clear photograph. From an aesthetic perspective, Filipe Alves revisits the theme by seeking compositions of objects that resemble Lippmann's images. However, at the same time, he introduces other objects into these compositions that accentuate the disruption in the image, such as sprayers, hot glue guns, and Tupperware, all made of plastic, derived from petroleum, representing a "still" nature. This irony emphasizes the memorial value attributed to Lippmann's method." Pedro Bandeira & Susana Lourenço Marques, 2022

    Title: Stilleven

    Authors: Filipe Alves

    Publishers: Pierrot le Fou

    Edition: 1ª

    Number of pages: 32

    Year: 2022

    Languages:

    Country: Portugal

    City: Oporto

    ISBN/ISSN: 978-989-53583-1-1

    Text:Pedro BandeiraSusana Lourenço Marques

    Editor:Bruno FigueiredoDulcineia Neves SantosPedro BandeiraSusana Lourenço Marques

    Print Shop:Gráfica Maiadouro

    Width (mm): 170

    Height (mm): 230

    Cover type: Soft Cover

    Bind types: Staples Binding

    External cover type: Capa Arquivo

    Print types: Offset

    Tags: Still LifePaintingComposition

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